Using Every Last Drop

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Perhaps it’s the result of spending 10 years as a poor uni student, but I really like to use every last drop of liquids: sauce, toothpaste, shampoo and yes, deodorant. Many of the roll-on style deodorants, such as those from Nivea, have a domed lid, meaning it’s impossible to tip them upside down as liquid is running low and store them so gravity can do its thing. In my mind, this is a design flaw in the packaging (although from Nivea’s point of view, this is a great way to keep people buying more products more often).

I had originally planned to create my own design to solve this problem, however, after a quick search on Thingiverse I was pleasantly surprised to see many people had already beat me to it! There are plenty of designs to choose from, and I decided on this helix design for its interesting form. Click here to download the file for yourself from Thingiverse.

The print took just over an hour to complete, and as you can see from the pictures, it does exactly what it promises. I also streamed the 3D print on my YouTube channel, so if you like watching the grass grow, here is an hour of entertainment just for you! Make sure you subscribe if you want to be alerted of the next live 3D print 🙂

– Posted by James Novak

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First 3D Print with the Wanhao Duplicator D9/500

IMG_20180917_Webcam 3D Print Mount

If you have followed my blog for any length of time, you’ve probably noticed I’m quite a big fan of the Wanhao 3D printers – they’re cheap, reliable, upgradable, and just good value for money. Even my Cocoon Create from Aldi is actually just a Wanhao in disguise! Recently Wanhao released the Duplicator D9/500, which has an incredible 500x500x500mm build volume. Yes, you read that right, those numbers are not a typo! The picture above doesn’t do it justice, this is a big unit that currently we can only store and run on the floor until we can free up a large desk. Manoeuvring this thing is definitely a 2 person job!

Before I get into the details of the machine and my first experiences, the printed vase pictured above is the first successful print, which is the Curved Honeycomb Vase (free on Thingiverse) printed at 200% scale. Printed in vase mode (aka “spiralise” in Cura) with a 0.8mm nozzle, this print took approximately 6 hours to complete. A great design in itself, and very cool at this large size.

However, it certainly hasn’t all been smooth sailing with this printer. First, there were some lengthy delays from Wanhao between when we placed the order and finally received the machine – apparently some manufacturing and quality control issues, and Wanhao may have released the machine a bit too early to market. In total we waited several months, however, they may be much faster now that issues seem to be resolved. The second big issue we faced was assembly – the supplied instructions weren’t particularly useful or even relevant, with some of the components no longer supplied with the printer – it seems that the initial release included large brackets to help stabilise the frame and some other details in the instructions, so we were left feeling like we were missing some parts. Apparently we are not, although we still haven’t figured out some of the cable management issues and have had to hack together a temporary solution for now.

Another challenge with assembly was in constructing the frame; obviously at such a large size the frame wasn’t pre-assembled like the smaller Duplicator 3, and the frame also uses extruded aluminium rather than folded sheet metal. Squaring all of these extrusions is not simple, and some initial issues when running the machine were related to having one of the vertical frame pieces lightly twisted. Some better alignment details are definitely needed.

The final issue that we’ve been experiencing is in the auto-levelling sensor, which was not installed at the correct height in the factory and required a lot of manual adjustment (we had the nozzle collide with the bed several times when first running it). However, even with this, the machine doesn’t really seem to adjust the prints for any levelling issues; our first prints across the bed revealed a number of areas where the bed was slightly warped, which were not being corrected by the auto-level feature, so we are currently manually doing adjustments for now. And we have found the central area of the bed is OK, so the vase printed really well.

So overall I would have to recommend that anyone considering this printer hold off for at least a few more months, there are just too many issues for anyone without a lot of experience calibrating 3D printers, and without the time to really get in and troubleshoot issues. Last time I searched on YouTube it seems others have also come to a similar conclusion. I think with time this will be a great 3D printer, we’re certainly going to keep learning more about it, but this seems like a case of a manufacturer rushing to market without properly testing and perfecting their equipment. Unfortunately, an all too common story in the 3D printing world.

Make sure you follow my blog and social media accounts to keep up to date with ongoing test prints and posts about the Wanhao Duplicator D9/500. And please share your own experiences in the comments section so we can all learn from each other 🙂

– Posted by James Novak

3D Printed Webcam Mount

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Whenever I travel I always have a small Guerrilla tripod to easily mount my cameras just about anywhere – the flexible arms make it perfect for wrapping around handrails or quickly levelling on uneven surfaces. Which made it my first choice when it came to mounting an old webcam so I can begin streaming my 3D prints to Youtube!

I’m seeing a lot of people like @wildrosebuilds posting awesome time-lapse videos of their 3D prints, and plenty of tutorials online showing how to build quite elaborate rigs to do so. I don’t really have time to deal with all of the video editing for each print, but the opportunity to live-stream prints directly to Youtube seems like a great way to share what I’m working on in real-time, and also allow me to monitor prints without having to physically be with the printer. However, webcams aren’t designed to mount to the typical screw mechanism used by tripods/cameras, so I had to design my own bracket to allow me to mount an old Logitech C270 HD webcam to the tripod.

The top right image shows the small slide-in clip that screws to the underside of a camera, and locks into the tripod. My first step was to reverse engineer this part with a set of calipers, modelling the geometry in Solidworks. I then added a vertical element to attach to the webcam, which has a hole on the back normally used by a bracket attaching the webcam to a computer screen. An extra lip on the front to hold the webcam in a vertical orientation, and voilà!

The blue bracket has been printed on my Wanhao Duplicator i3 Plus in PLA, and a screw I had lying around holds the webcam to the bracket. A nice little solution that should see some action very soon. Subscribe to my Youtube channel or follow me on Twitter to be alerted when I begin streaming prints, I know it can be a bit like grass growing but watching 3D prints is still addictive to me. If you’d like to download this design for yourself, you can find it on Thingiverse, Pinshape and Cults – feel free to make your own modifications as needed and share, I know the C270 is quite a popular webcam.

– Posted by James Novak

UPDATE: If you want to see my first live-stream using this webcam mount, here it is:

Check out my channel to see more, and subscribe to be alerted when I go live.

#3DBenchy, the Most Downloaded 3D Print

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If you are involved in 3D printing there’s no doubt you’ve at least heard of #3DBenchy, if not printed one, or two, or even more. What is #3DBenchy? Well, it’s a tug boat of course! But more than that, #3DBenchy has become like the “Hello World!” from coding, the go to 3D model to test out a new printer or setting. Why a tug boat? That’s a very good question, and the only real explanation is that it includes a number of features that challenge a printer including overhangs (e.g. roof) and a variety of angled surfaces. Also, it’s a little more interesting than a basic calibration cube or set of test prints.

#3DBenchy was developed by a company called Creative Tools, initially as an in-house calibration test for their own printers. On April 9th 2015, Creative Tools uploaded the design to Thingiverse for anyone to download for free, and the rest, as they say, is history. Since then the file has been downloaded over 600,000 times from Thingiverse alone, and can be found on pretty much any other 3D file sharing website. #3DBenchy even has its own website, Instagram profile, and Twitter account – talk about a famous 3D print!

I’ve never seen any need to jump on board the #3DBenchy bandwagon, however, I was recently writing up some research that required me to photograph a #3DBenchy, and I’m always up for an excuse to print something new. So here we are, #3DBenchy in hand, and given I used some relatively fast settings to get it printed in about 1 hour, I think the result is quite good. This one is the original #3DBenchy at full scale, printed without support. And of course my photos have been fed back onto Thingiverse as one of the 2788 makes of #3DBenchy, and one of 2961 posts on Instagram… and counting. Vive la révolution!

– Posted by James Novak

Yes I Wrap, Don’t You?

20180831_3D Print Vase Wrap String

One of the common features of desktop 3D printing is the sharp, hard feel of plastic with that scratchy horizontal layered surface finish. Sure plastic has many benefits, but when you handle 3D prints all day long you sometimes forget that there are other textures in the world that are soft, delicate, pleasurable to touch. Enter the wrap, an experiment that softens those 3D prints in a crafty, hand-finished way.

For this project I downloaded the Customizable Twisted Polygon Vase from Thingiverse, which you will notice when you download is a solid block. This print takes advantage of a feature known as “vase mode” in many slicing programs, although if like me you are using Cura it’s called “Spiralize,” and you will need to activate it in your settings in order to have it available in your main screen settings. Basically the idea is that you can load any solid 3D model and automatically turn it into a vase-like shape i.e. a base and an outside wall without any interior or top surface. The outer wall is a single perimeter, which the printer continually extrudes in a spiralling/helical fashion as it works its way up the vertical height of your object. So no need to use a “shell” command in your 3D CAD modelling software, you can design a solid block and let the slicing software automatically create a single perimeter based on the extruder settings of any FDM 3D printer. A fun project in itself.

Phase 2 of the project was to use some wool yarn to wrap the exterior. What’s interesting about this process is that the layered surface finish of the 3D print actually helps hold the yarn/string in place, stopping it from slipping down the vase and helping align each rotation of the yarn. A relaxing project while you’re sitting in front of the TV or Netflix! The yarn I used was very fine so took quite a while, however you could easily use a thicker yarn to reduce the amount of effort to achieve a similar result. The result is really interesting; it keeps the layered appearance of a 3D print, yet is soft to the touch and provides a unique finish to the vase. Something you could easily customise with colours and different types of yarn materials. Ultimately, it creates an interesting combination of a highly digital process with a more craft-based process and material… Something worth a bit more experimentation I think.

If you give it a go, please share a photo with me, I’d be interested to see your results!

– Posted by James Novak

3D Printed Hooks

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3D printing really does solve so many problems – previously I’ve replaced a small whisk in a milk frother, produced my own kitesurfing fins, 3D printed locking mechanisms for some stand up paddles, and made numerous enclosures for Arduinos. What did we do before 3D printing?

This is yet another example of the need for a unique part – some hooks to display some work in front of my office, which could attach to some vertical plywood fins without permanent fixings like screws or staples. The plywood is 17mm thick, which was the only dimension needed to create this hook design, and I’ve modelled the arms to be a maximum of 17mm apart, with a 1º draft angle to really hold on to the plywood towards the back of the arms which are less than 17mm apart. This creates a good clamping force on the plywood. They are also designed so that they require no support material when 3D printing, making them fast and efficient to produce.

While it’s quite a unique case, I’ve decided to share the design on Thingiverse, Pinshape and Cults  in case it’s of use to anyone, or even just a good starting point for your own design. You could even try scaling them in width to fit the dimension of your vertical board. Happy printing.

– Posted by James Novak

3D Printed Kobayashi Fidget Cube

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One of the great opportunities presented by 3D printing is to print multiple parts as a single object, and have them move afterwards as a complete assembly. There are many great examples, and this Kobayashi Fidget Cube has been on my “to-print list” for some time now. The file is freely available on Thingiverse, and it is pretty awesome!

The photos above give some idea of how it works; a series of cubes that are linked, allowing them to rotate around through a series of positions as you fold and open sections of the object. However the video below (not my own) shows exactly how it works, and is basically a form of fidget device that is currently a popular trend.

As well as being a fun object, it is a great test of your printer’s accuracy and settings, and I must admit my Cocoon Create only had average results. The cube works, but some of the movements are much stiffer than the video. This is probably to do with my settings, I was a little impatient in printing so did not optimise as much as necessary things like layer thickness (used 0.2mm and should’ve tried 0.1mm) and printing speed (50mm/s instead of perhaps 30mm/s or less). I also had to use a knife to slice some of the bottom layers where the cubes had fused together on the print plate. Not a bad first effort, but I might try printing again soon to get a really smooth operating fidget cube.

– Posted by James Novak

Mashup-Yoda – Download For Free

Yoda Header

Recently I wrote a step-by-step tutorial for my friends at Pinshape about how you can use free software (Meshmixer) to combine downloaded STL files into your own unique design – this is called a mashup, or a remix. The tutorial is nice and easy to follow, and was just the start of my plan to create some really interesting designs in a series of mashups. You can find a full video tutorial and links to the written tutorial in my previous post.

Finally I’ve found some time to create mashup number 2, Mashup-Yoda! This design has taken a lot more time to create in Meshmixer, along with learning some of the more advanced tools and plenty of trial-and-error along the way. However it is based on a similar idea as the Mashup-Rex from the tutorial, combining a skeleton element with an external skin to give a cutaway effect to the creature. However, what might Yoda’s skeleton look like?

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As you (hopefully) know from the film Return of the Jedi, Yoda’s body vanishes as he becomes one with the force in his death, so there is no way to know. But upon finding the Voronoi Yoda model by Dizingof on Thingiverse, it seemed like an interesting concept for this powerful Jedi, perhaps a more organic internal skeleton that was formed by the Midi-chlorians (some real Star Wars nerd talk!) that gave Yoda his power.

Nerd talk aside, as much as anything the Voronoi Yoda just seemed like a cool model that would be fun to combine with a realistic bust of Yoda, also available freely on Thingiverse. The 2 models are a great fit, with the main challenge being the slicing and dicing of the geometry in Meshmixer to create this organic looking, almost cyborg-like Yoda mashup. Mostly this has been achieved using the Sculpt tools and the Select tool to remove sections of the models and re-shape them to look like they were designed this way from the beginning.

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I’ll admit that I did have some problems combining the 2 models into a single STL file right at the end in Meshmixer, probably due to the weird intersections between the models where I had pushed and pulled surfaces too far into a non-manifold object. I also ended up with a file size of about 87MB, a bit ridiculous for sharing online, and the normal reduction techniques in Meshmixer were just destroying the quality of the surfaces. So I ended up bringing the large STL file into Rhinoceros, reducing the mesh by about 75%, exporting as a STL, importing back into Meshmixer, using the Inspector tool to repair any little remaining errors automatically, and finally exporting a clean, 3D printable STL file. That’s a mouthful!

Now that the hard work’s been done, I’d love you to have this model for free so you can print it out, or even get crazy and try remixing my remix using some of the techniques shown in my Pinshape tutorial! I’ve uploaded it to my favourite 3D file sharing websites Pinshape, Thingiverse, 3D File Market and Cults. Choose your website, 3D print and share some photos 🙂

May the force be with you

– Posted by James Novak

The Meshmixer Mashup: Mashup-Rex!

Tutorial Meshmixer Mashup

The mashup is a favourite technique in the music world that combines two or more songs together into a single song. They might be from completely different eras or genres and when cleverly mashed together, they create a new smash hit. But did you know that creating a 3D printable mashup is just as easy as creating a musical one? Take a bit of File A, mix it with File B, and you now have your own creative design.

Over the last few weeks I’ve been putting together a new tutorial for my friends at Pinshape, which includes my first video tutorial as well as the usual step-by-step process to follow along with. Click here to learn how to mashup STL files in only 10 easy steps using the freely available software Autodesk Meshmixer.

The mashup is often called a Remix in the 3D printing world, and is a great way to build upon other designs and add your own creative touch, or re-purpose a design for a new application. The video tutorial is a real-time look at the process, which with a bit of practice, will have you remixing new designs in a matter of minutes. If you want to follow along, you just need to install Meshmixer on your computer, and download the 2 T-Rex files used in this tutorial which are free on Pinshape:

  1. Low Poly T-Rex by steven_dakh
  2. The T-Rex Skull by harry (we are only using the head piece, not the jaw)

Mashup-Rex

Alongside the tutorial is my latest design, the Mashup-Rex. I have made this available for free on Pinshape, just click here to download the file. Maybe you you will create your own remix of my remix? If you do, or you just 3D print the Mashup-Rex for yourself, please share it on Pinshape to add to the community and see how far the design can go! In the version pictured above I simply used a coffee stain to “age” the skull, similar to my previous print of the Star Wars Deathtrooper. I’m enjoying this simple technique at the moment, although you may like to use a 2-tone print, or go all out with some painted effects.

Happy mixing!

– Posted by James Novak

Moreton Technology Alliance

2017 Moreton Technology Alliance

Last week I teamed up with fellow Advance Queensland Digital Champion  (AQDC) and resident of Moreton Bay, Kate vanderVoort, to discuss the latest digital trends in social media and 3D printing with local businesses in our area. This was hosted by the newly formed Moreton Technology Alliance (MTA), a group of local business owners who are passionate about the region and driving innovation here.

Having been an AQDC for a couple of years now, it was great to team up with newbie to the program Kate, and deliver our insights into what may at first seem like 2 different topics. Kate began by sharing her experience with helping businesses engage with their customers through social media, and how businesses that do this well are finding that their communities of followers begin to act as customer service agents and brand ambassadors, solving fellow customer problems using the immediacy of social media. In Kate’s words, it’s a good problem to have – until your employees start feeling like their jobs are in jeopardy!

This idea of building online communities linked well to my later discussion around Intellectual Property (IP) and how online communities of designers like myself are tapping into the growing libraries of files on websites like Thingiverse and Pinshape to replace broken products, upgrade them, or modify them to perform new functions, sharing our designs for free, or for small payments just like buying a song on iTunes.

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I used the example of GoPro mounts which retail at $29AUD for a pack of 6 genuine mounts, or I can 3D print 6 for $1 in material cost (pictured above from Thingiverse). Sure it’s not quite as perfectly fitting, and the material might break, but I could print 174 mounts for the same cost as 6 genuine mounts – essentially a lifetime supply from my own desktop factory. And this is just from a $400 machine, what if I have a better machine or material?

How do businesses deal with this? Will they be forever chasing people around the world with cease and desist letters (lawyers would be rubbing their hands together!)? Or will businesses shift their thinking and embrace this change, in the same way Hasbro’s My Little Pony has become an online community through Shapeways, where children and adults alike are encouraged to design and sell their own My Little Pony creations?

I certainly don’t profess to have the answers (in short I’m not a big believer of IP even without the 3D printing aspect), however the point of this example, along with examples of projects happening from a variety of industries embracing 3D printing, was to inspire the audience at this MTA event, and encourage further discussion. Which I believe it did given the questions from members afterwards, and realisation that this technology really will affect anyone developing physical products in some way or another.

We also discussed opportunities for businesses to collaborate with universities in order to develop research programs into technologies like 3D printing, with the Australian Government recently changing funding models for universities to emphasise greater links with industry, and grants announced for SME’s to fund innovation in partnership with universities and researchers. Follow the links to find out more information.

Thanks to MTA for inviting me to speak, I hope to be fielding a few questions in the near future from businesses who have been inspired to take the 3D printing plunge!

– Posted by James Novak